Ben's So New Money. A Close Look At The 100$ Redesign.

Officials from the U.S. Department of the Treasury, the Board of Governors of the Federal Reserve System and the United States Secret Service recently unveiled the new design for the $100 note. Complete with advanced technology to combat counterfeiting, the new design for the $100 note retains the traditional look of U.S. currency.



There are a number of security features in the redesigned $100 note, including two new features, the 3-D Security Ribbon and the Bell in the Inkwell. These security features are easy for consumers and merchants to use to authenticate their currency.



The blue 3-D Security Ribbon on the front of the new $100 note contains images of bells and 100s that move and change from one to the other as you tilt the note. The Bell in the Inkwell on the front of the note is another new security feature. The bell changes color from copper to green when the note is tilted, an effect that makes it seem to appear and disappear within the copper inkwell.

The new $100 note also displays American symbols of freedom, including phrases from the Declaration of Independence and the quill the Founding Fathers used to sign this historic document. Both are located to the right of the portrait on the front of the note.

The back of the note has a new vignette of Independence Hall featuring the rear, rather than the front, of the building. Both the vignette on the back of the note and the portrait on the front have been enlarged, and the oval that previously appeared around both images has been removed.

Although less than 1/100th of one percent of the value of all U.S. currency in circulation is reported counterfeit, the $100 note is the most widely circulated and most often counterfeited denomination outside the U.S.

The New Security Features
Below is a close-up look at the new features to help you learn how to identify the real thing and use the two advanced security features: the 3-D Security Ribbon and the Bell in the Inkwell.



1. Portrait Watermark
Hold the note to light and look for a faint image of Benjamin Franklin in the blank space to the right of the portrait.
3. Color-Shifting 100
Tilt the note to see the numeral 100 in the lower right corner of the front of the note shift from copper to green.


2. Security Thread
Hold the note to light to see an embedded thread running vertically to the left of the portrait. The thread is imprinted with the letters USA and the numeral 100 in an alternating pattern and is visible from both sides of the note. The thread glows pink when illuminated by ultraviolet light.

4. Raised Printing
Move your finger up and down Benjamin Franklin’s shoulder on the left side of the note. It should feel rough to the touch, a result of the enhanced intaglio printing process used to create the image. Traditional raised printing can be felt throughout the $100 note, and gives genuine U.S. currency its distinctive texture.

6. Microprinting
Look carefully to see the small printed words which appear on Benjamin Franklin’s jacket collar, around the blank space containing the portrait watermark, along the golden quill, and in the note borders.



5. Gold 100
Look for a large gold numeral 100 on the back of the note. It helps those with visual impairments distinguish the denomination.

FW Indicator (not shown here)
The redesigned $100 notes printed in Fort Worth, Texas, will have a small FW in the top left corner on the front of the note to the right of the numeral 100.
If a note does not have an FW indicator, it was
printed in Washington, D.C.

The note will begin circulating in February, 2011. All U.S. currency remains legal tender, regardless of when it was issued. Visit www.newmoney.gov where you can watch an animated video, click through an interactive note.

Tattoo Artist Scott Campbell Cuts Up Currency & Burns Tortillas

The last time I featured someone who defaced money in the name of art, Hanna Von Goeler, the post received numerous controversial comments.

Well, get ready to start typing again, because this time, I'm sharing with you some seriously cut up currency by tattoo artist Scott Campbell.

Using imagery commonly associated with tattoos and the current trends like skulls, roses, religious icons, barbed wire, the Grim Reaper, swallows, swirls and hearts, Scott has adeptly carved out stacks of currency to create stunning monetary sculptures. Others have script phrases such as "Bros Before Hos" and "Thank You Jesus".

In April of 2009, Campbell held his first solo exhibition at O.H.W.O.W. to much critical acclaim. The show featured various pieces, only a few of which were the intricately cut stacks of bills. Other pieces include tortillas burnt in the likenesses of Jesus, Mary and Bart Simpson, c-prints of tattoos, carved book covers and more.

Whether or not you think it's 'illegal' the following works are beautiful and just one of Scott Campbell's many talents.










detail:



detail:




detail:










images courtesy of Scott Campbell and LaMJC and Supertouch art

At present he has show at the Lazarides Gallery in London. 'Almost Always There' will be on display from 1st October 2009 - 30th October 2009

Some other pieces from his solo shows:

C-prints of tattoos of various iconic figures wearing 3D glasses:



Burnt Tortillas:





above image courtesy of New York Times Magazine

In April of 2009, Campbell held his first solo exhibition at O.H.W.O.W. to much critical acclaim. The show featured various pieces, only a few of which were the intricately cut stacks of bills. Other pieces include tortillas burnt in the likeness of Jesus, Mary and bart Simpson, c-prints of tattoos, carved book covers and more.

In 2004, he opened Saved Tattoo in Williamsburg, Brooklyn. Since then, it has grown to be the East Coast's premier tattoo shop with a devout following of celebrity clientele. Campbell has the taken the blue collar grit and lore of tattoo culture and extracted a visual language and wit that are supremely refined and deliberate. He has an uncanny ability to tell a story with any medium, flesh or otherwise.

Luxury Pubs Continue To Grow- Offline.

For the Rich, Magazines Fat on Ads
By DAVID CARR for the NY Times

The rich will always be a good bet in publishing. First, they have the money, at least most of it. Second, they have the time, which is the by far the biggest luxury of our age.

So until the rich hire other people to read for them, a magazine is a good way to get their attention. Particularly now, it turns out.

Last week, a new Trump Magazine was announced by Ocean Drive Media Group. The week before, The Wall Street Journal announced Pursuits, a magazine supplement, which will compete with the baldly named How to Spend It from The Financial Times and the cryptically named T magazines from The New York Times.


Above: Trump at his magazine launch party, Sept. 25, 2007

Forbes, a publication that would seem to know a thing or two about rich folks, began publishing ForbesLife Executive Women last month.



Condé Nast Publishing is currently investing many millions in Portfolio, a business-inflected lifestyle magazine that suggests that the rich and powerful like to read about the rich and powerful.

Coming on top of magazines like The Robb Report, which is full of impossibly expensive goods, magazines like Gotham and Hamptons from Niche Media and the Modern Luxury chain of moneyed local publications, it would seem that while the rest of the industry is scrambling to fight off the Web and irrelevancy, there is a bull market in wealth.


Above:NEW YORK - NOVEMBER 15: Vanessa Trump and Donald Trump Jr attend the launch party for the holiday issue of Hamptons Magazine on November 15, 2006 in New York City. (Photo by Bryan Bedder/Getty Images)

During the 1990s, magazines like Money, Fortune and Red Herring got fat on wealth how-to’s, but the current crop skips that icky middle part about actually earning the money. Look for other publishers to cash in on the already arrived: maybe there’s still room for magazines called Lucky Stiff, I’ve Got Mine or Born on Third Base.

And it’s not just the guys. As reported in The New York Times, a recent study by a professor at Queens College pointed out that women in their 20s working full time in many American cities earn more than their male counterparts, creating a more gender-neutral wealth base that certainly has helped luxury women’s magazines. Pity the poor mail carriers who have to deliver Vogue, W, Elle and Harper’s Bazaar, which all put out huge September issues that seemed to weigh more than models in them. Vogue weighed 4.9 pounds and had 727 advertising pages, a 16 percent increase over last year; W was 4.5 pounds with 477 pages of ads.


Above: The UK's special Swarovski Studded Harper's Bazaar Magazine Cover

“Luxury continues to be a lush tropical island in a sea of complaints in the publishing industry,” said Reed Phillips, a media investment banker.

What gives? And, more important for the magazine business, will it last?

There is, as has recently been noted in The New York Times, no shortage of swells. The number of millionaires rose by 26 percent from 2000 to 2005, a total of more than 303,000, which is a lot of rich people.

America used to have a corner on wealth, but Russia and China are minting millionaires by the day, and they covet luxury in all languages. And it is worth remembering that much of the advertising that is jamming American luxury magazines is coming from foreign brands that find even the most expensive advertising buy can look mighty cheap given the feeble American dollar.

Part of the flight to luxury magazines is simple me-too, the most persistent trend of all in publishing, and maybe that alone should tell us the end of the boom is near. But luxury also represents one part of the business that will not succumb to the Web anytime soon.

Luxury is all about sensation, about touch, about look. Advertisers may look for efficiency in all of their buys, but in the publishing world, it is all about environment. They want to smell the money coming off the pages.

An aesthetic is being offered, one that suggests, as Mason Cooley did, that the rich are just naturally happier than we are because, well, they should be.

But it is not just about rich people. Luxury has been defined down any number of ways. “Sex and the City” is now in wide syndication, which means that most of the country now knows that Jimmy Choo is not a kind of beef jerky. BMW is introducing the 1 Series next year with a lower point of entry for the aspirant. Even if you can’t afford a baby Beemer, you can express your taste in finery in everything from coffee to chocolate. And while other teenage magazines folded, Teen Vogue proved that brand aspiration can be baked in at a very young age.


Above: the BMW Series 1 Coupe, set to launch in 2008

“It’s true that there is a small percentage of people who continue to become wealthier and wealthier, but just underneath that, there is a very large percentage of people who are completely enamored with luxury goods,” said Robert Burke, a consultant on luxury in New York. Mr. Burke said that the surge in desire for precious things is not unlike what happened in Japan 15 years ago. “People want those things that give them a feeling of luxury in all sorts of products and at all kinds of income levels.”

Even with the sub prime mess and question marks over big merger deals, the ferocious and fundamentally undemocratic concentration of wealth still seems unstoppable. But the French Revolution proved that it is difficult to preserve epic economic imbalance.

The skeptics might point to other cultural indicators that the luxury boom has topped out. The ka-jillionaire Mark Cuban appearance on this season’s “Dancing With the Stars” comes to mind, as does Damien Hirst’s $100 million diamond-encrusted skull, a totem of an excessive age that was snapped up at the end of the summer.


Above: Damien Hirst and his Diamond and Platinum Skull

Excessive wealth is providing fuel for an otherwise impoverished industry. Like fossil fuels, it is bound to peter out at some point, but no one knows exactly when. In the meantime, let them eat Coach.---DAVID CARR

Lincoln Gets His face Redone. Again.

New $5 Bill Debuts During "Wi-5" Event; Circulation Scheduled for Early '08

A new $5 bill, with enhanced security features, will enter circulation in early 2008. A new $100 bill will follow.

The new $5 bill incorporates state-of-the-art security features that are easy to use by cash-handlers and consumers alike:


About the New $5 Bill

The new $5 bills will be safer, smarter and more secure: safer because they’re harder to fake and easier to check; smarter to stay ahead of savvy counterfeiters; and more secure to protect the integrity of U.S. currency. Because security features are difficult for counterfeiters to reproduce well, they often do not try, hoping that cash handlers and the public will not check their money.

The redesigned $5 bill retains two of the most important security features that were first introduced in the 1990s and are easy to check.

Watermark

Watermark: There are now two watermarks on the redesigned $5 bill. A large number “5” watermark is located to the right of the portrait, replacing the previous watermark portrait of President Lincoln found on older design $5 bills. Its location is highlighted by a blank window incorporated into the background design. A second watermark — a column of three smaller “5”s — has been added to the new $5 bill design and is positioned to the left of the portrait. Hold your bill up to the light and look for the two new watermarks.

Security Thread

Security thread: The embedded security thread, which is located to the left of the portrait on older-design $5 bills, has moved to the right of the portrait on the redesigned $5 bill. The letters “USA” followed by the number “5” in an alternating pattern are visible along the thread from both sides of the bill. The embedded security thread glows blue when held under ultraviolet light. Hold your bill up to the light and look for the embedded security thread.
Design Features

The new $5 bills will remain the same size and will use the same, but enhanced, portraits and historical images. Above all, the world will continue to recognize the new money as quintessentially American. Design updates will not only add complexity to the bill to make counterfeiting more difficult, but will also include other features that will help the public to tell denominations apart, particularly those persons with visual impairments.

Color:
Because color can be duplicated by potential counterfeiters, it should not be used to verify the authenticity of paper money. Adding color to the bill’s design, however, does add complexity to the design. The most noticeable difference in the redesigned $5 bill is the addition of light purple in the center of the bill, which blends into gray near the edges. Small yellow “05”s are printed to the left of the portrait on the front of the bill and to the right of the Lincoln Memorial vignette on the back.

Symbols of Freedom
Symbols of Freedom: A new American symbol of freedom has been added to the background of the redesigned $5 bill—The Great Seal of the United States, featuring an eagle and shield, is printed in purple to the right of the portrait of President Lincoln. An arc of purple stars surrounds the portrait and The Great Seal. The symbols of freedom differ for each denomination.

Portrait and Vignette

Portrait and Vignette: The oval borders around President Lincoln’s portrait on the front and the Lincoln Memorial vignette on the back have been removed. The portrait has been moved up and the shoulders have been extended into the border. Engraving details have been added to the vignette, framing the Lincoln Memorial against a sky full of clouds.
Other Features

Low-Vision Feature

Low-Vision Feature: The large, easy-to-read number “5” in the lower right corner on the back of the bill, which helps those with visual impairments distinguish the denomination, is now enlarged in the new $5 bill design and printed in high-contrast purple ink.

Microprinting

Microprinting: Because they are so small, microprinted words are hard to replicate. The redesigned $5 bill features microprinting on the front of the bill in three areas: the words “FIVE DOLLARS” can be found repeated inside the left and right borders of the bill; the words “E PLURIBUS UNUM” appear at the top of the shield within the Great Seal; and the word “USA” is repeated in between the columns of the shield. On the back of the bill the words “USA FIVE” appear along one edge of the large purple “5” low-vision feature.

Federal Reserve Indicators

Federal Reserve Indicators: A universal seal to the left of the portrait represents the entire Federal Reserve System. A letter and number beneath the left serial number identifies the issuing Federal Reserve Bank.

Serial Numbers
Serial Numbers: The unique combination of eleven numbers and letters appears twice on the face of the bill. On the new $5 bill, the left serial number has shifted slightly to the right, compared with previous designs.

A Smooth Transition

The goal of the public education and awareness program is the seamless introduction of the redesigned $5 bills in the United States and around the world. The U.S. government is working closely with the business community, national organizations and foreign central banks to ensure a smooth transition for the redesigned bills.

More U.S. currency circulates in the world than any other currency. About $770 billion circulates worldwide. With this large volume of U.S. currency in circulation, the public education and awareness program has proven vital when introducing past newly designed currency. Similar efforts will be conducted for the new $5 bill to inform stakeholders and the general public about the new changes and how to utilize the security features to authenticate paper money.

Continue using the old $5 design: You won’t have to exchange your old $5 bills for the new ones. Your old money will always be good. In fact, every U.S. banknote issued since 1861 is still redeemable today at full face value and will continue to be legal currency. In addition, there will be no recall or devaluation of any U.S. bills as the United States has never devalued its currency and will not do so now.